‘Kingdom of Heaven’

‘Kingdom of Heaven’ is one of those mid-00’s films which for many people, I am sure, has achieved some sort of an iconic status. Mind, it is not terribly accurate historically or in any other way really, but it’s a very interesting view into religion and conflict in a time where the combination of the two is far too common.

I have known the basic version for a long time, and it often felt to me that something was missing. I have now watched the Director’s Cut, and that, by everything, is incomparably better than the standard one.

In the normal version, there are so many topics which come out of nothing and have no background, starting with the very first scene where Godefroy comes to the French village. In the extended version, the extra information helps create a story. We got a beginning and an ending, both of which were cut short by the shortened cinematic edition. The scene where Ibelin is bequeathed is especially rewarding for the people who thought Balian and Sibylla just rode off into the sunset (literally, here, though, as that’s where the Levant is).

Lastly, the music is perfect. The themes centred around Ibelin are my favourite, with the Arabic lyrics making this song absolutely perfect:

What I have not yet mentioned is the original topic. Both Saladin and Balian are deep in thought in this film about the underlying causes of their warfare. Baldwin IV comes across as a kindly and good king as does Saladin. Guy de Lusignan is a malicious fool, and Reynald de Chatillion is a  warmongering tool. One of Saladin’s lieutenant’s is also in the warmongering camp, but in general the Muslim side looks a bit more peaceful. The Templars are merely an extension of Guy’s hand, and the Hospitallers are represented by someone who both a) takes orders from others in the order, b) travels on his own volition, and c) eats with the King of Jerusalem. These three feel slightly contradictory and I wish more had been thought about making the Hospitaller sensible.

I have been driven away from the topic again. I like the quiet pondering of morality versus victory, of the peacefulness and the righteousness of religion. I find it very calming that even though the film depicts the Crusades, it can also depict religious peace between various sects. Maybe some hope is still out there.

What is Jerusalem worth?

– Nothing. And everything.

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